Worried by the incoming weekend and the usual struggle of saturdays-with-boredom I decided at the very last minute to go to a concert of the San Diego Symphony Orchestra, conducted by its Musical Director Jahja Ling. I’ve never listened to him, and I still remember a funny 60 years old lady at the SF MOMA talking about him with high opinion. Rush tickets were just 10$ for student (a status I can still fit in).
The Copley Symphony Hall is an old cinema, and San Diego is not a music spot with a great reputation: so I had very little expectations. The program was a mix of contemporary music and great classics, featuring the Overture from Semiramide by Rossini, a world premiere of a Double Concerto for Violin and Cello by Chin, and the Seventh Symphony of Beethoven. The last one, in particular, is one of my (not so) secret loves.
Before my bitterness could take over, I was already impressed by the strings: what a nice, delicate, precise sound! And what a great unexpected acoustics! Sound was like a river floating towards me and embracing my ears. Rossini was pleasant, even if it was missing some italian drama (the fine art of putting too much excitement into something). The Chin Concerto was very intense, and I’m not the best critic for modern music but it was very enjoyable.
The seventh was not the seventh I have in mind. I’m still looking for someone that can take care of the small silences it contains, and maybe that one is just myself. I remember a few times when the orchestra was playing a little too loud, more to please the audience than to follow the music, but overall the execution was brilliant, thrilling, consistent. And Mr. Ling will bring the San Diego Symphony to a world-class level if he keeps working so well.
To balance the musical genres, after the concert I decided to accept an invitation from my friend Justin to a gothic night in some hillcrest club. I’m not exactly a gothic person but Justin comforted me and my worries with a simple suggestion: just wear something black, and you’ll be fine.
After two Long Island I can take with more ease to be surrounded by fat girls in leather top, tall men half naked with darkened eyes and a nasty mix of haircuts, generally alternating hair and bold, in many different ways. My best gothic style though, was just a black t-shirt, a black shirt and my funky, checkered shoes.
In the general darkness, with a small booze, it’s not hard to mix with the crowd. Dancing next to an unknown woman tied in a minimal black suit and exposing 95% of her breasts is not a big issue, even when she starts rubbing herself on me: no more than a few seconds, don’t worry, I’m not the only one on the dancefloor. After a while it’s me, with my back against somebody behind me, without a face. Rubbing is an important social habit here in the states; it won’t never fit my lifestyle, though, but life is mix. Isn’t it?
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